"Dolcissimi legami di parole amorose" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on September 1, 2003. The duration of Dolcissimi legami di parole amorose is about 3 minutes long, at 3:06. Based on our data, "Dolcissimi legami di parole amorose" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi, C.: Madrigals, Book 2 (Il Secondo Libro De' Madrigali, 1590)" album is number 4 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Dolcissimi legami di parole amorose is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dolcissimi legami di parole amorose by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Mille volte il di moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | F Major | 0 | 7B | 74 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: I. Solo "Eternal source of light divine" | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl, Marcus Creed | D♭ Major | 1 | 3B | 85 BPM | ||
Il secondo libro de madrigali a cinque voci, SV 58: No. 19, Ti spontò l’ali amor, la donna mia | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rossana Bertini, Rosa Dominguez, Claudio Cavina, Sandro Naglia, Daniele Carnovich | B♭ Minor | 0 | 3A | 92 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Exulta Filia Sion | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | C Minor | 2 | 5A | 118 BPM | ||
L'Orfeo - Act 1: Lasciate i monti | Claudio Monteverdi, New London Consort, Philip Pickett | G Major | 2 | 9B | 113 BPM |
Section: 0.9253213405609131
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