"Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27" by Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham was released on January 1, 1977. The duration of Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Purcell: Funeral Music for Queen Mary & Anthems". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 by Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Britten: War Requiem, Op. 66: II. Dies irae, (h) Reprise of Dies irae (Chorus) | Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) | Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D Major | 3 | 10B | 81 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 173 BPM | ||
Crucifixus | Antonio Lotti, Choir of St Mary's Cathedral, Edinburgh, Timothy Byram-Wigfield | C Major | 1 | 8B | 127 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM |
Section: 0.5829892158508301
End: 0.5868101119995117