Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27
Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham
Purcell: Funeral Music for Queen Mary & Anthems
2:39 January 1, 1977
BPM
118
Key
C Minor
Camelot
5A

Embed

Share Link

Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 - Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham Information

Acousticness
98%
Danceability
22%
Energy
17%
Instrumentalness
2%
Liveness
8%
Loudness
69%
Speechiness
4%
Valence
13%
Popularity
Loudness
-18.842 dB

Summary

"Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27" by Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham was released on January 1, 1977. The duration of Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Purcell: Funeral Music for Queen Mary & Anthems". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 BPM

With Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 by Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mass No. 2 in F Major, Hob.XXII:1, Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": KyrieJoseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen BurdickD♭ Major33B163 BPM
Britten: War Requiem, Op. 66: II. Dies irae, (h) Reprise of Dies irae (Chorus) by Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony OrchestraBritten: War Requiem, Op. 66: II. Dies irae, (h) Reprise of Dies irae (Chorus)Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony OrchestraF♯ Major02B86 BPM
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 by The Tallis Scholars, Peter PhillipsPalestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1The Tallis Scholars, Peter PhillipsB Major11B81 BPM
Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) by Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony OrchestraBritten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus)Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony OrchestraD Major310B81 BPM
6 Chansons: No. 2. Un cygne by Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed6 Chansons: No. 2. Un cygnePaul Hindemith, SWR Vokalensemble Stuttgart, Marcus CreedE Minor19A82 BPM
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerSt. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus)Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD Major210B173 BPM
Crucifixus by Antonio Lotti, Choir of St Mary's Cathedral, Edinburgh, Timothy Byram-WigfieldCrucifixusAntonio Lotti, Choir of St Mary's Cathedral, Edinburgh, Timothy Byram-WigfieldC Major18B127 BPM
Selig sind die Toten, SWV 391 by Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart JacobsSelig sind die Toten, SWV 391Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart JacobsF Major27B170 BPM
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie by Louis Vierne, Michel BouvardMesse solennelle pour deux orgues et choeur, Op. 16: I. KyrieLouis Vierne, Michel BouvardD♭ Minor212A73 BPM
Remember Not, Lord, Our Offences, Z. 50 by Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda QuistRemember Not, Lord, Our Offences, Z. 50Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda QuistA Minor18A133 BPM
ISRC
GBAYC9103806
Label
L-M Records/RCA Records

Section: 0.5829892158508301

End: 0.5868101119995117