"Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus)" by Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra was released on February 2, 2009. The duration of Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 99 in Britten by Benjamin Britten, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) by Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter Grimes, Op. 13: Act III Scene I: Embroidery in childhood was (Ellen, Balstrode) | Benjamin Britten, Giselle Allen, David Kempster, Steuart Bedford, Britten-Pears Orchestra | B Minor | 1 | 10A | 89 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | A Major | 0 | 11B | 71 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: Ia. Requiem aeternam | Benjamin Britten, London Symphony Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Simon Preston, London Symphony Orchestra | A Minor | 0 | 8A | 79 BPM | ||
Lohengrin, WWV 75 / Act III: Prelude to Act III | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 2 | 9A | 83 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM |
Section: 0.7438273429870605
End: 0.748603343963623