Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus)
Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
Britten
2:04 February 2, 2009
BPM
81
Key
D Major
Camelot
10B

Embed

Share Link

Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) - Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra Information

Acousticness
89%
Danceability
14%
Energy
26%
Instrumentalness
48%
Liveness
5%
Loudness
64%
Speechiness
6%
Valence
7%
Popularity
Loudness
-21.773 dB

Summary

"Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus)" by Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra was released on February 2, 2009. The duration of Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 99 in Britten by Benjamin Britten, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) BPM

The tempo marking of Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) by Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Peter Grimes, Op. 13: Act III Scene I: Embroidery in childhood was (Ellen, Balstrode) by Benjamin Britten, Giselle Allen, David Kempster, Steuart Bedford, Britten-Pears OrchestraPeter Grimes, Op. 13: Act III Scene I: Embroidery in childhood was (Ellen, Balstrode)Benjamin Britten, Giselle Allen, David Kempster, Steuart Bedford, Britten-Pears OrchestraB Minor110A89 BPM
Appalachian Spring: III. Moderato by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: III. ModeratoAaron Copland, Leonard Bernstein, New York PhilharmonicF♯ Major02B177 BPM
5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen by Robert Schumann, Mstislav Rostropovich, Benjamin Britten5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielenRobert Schumann, Mstislav Rostropovich, Benjamin BrittenA Major011B71 BPM
War Requiem, Op. 66 / Requiem aeternam: Ia. Requiem aeternam by Benjamin Britten, London Symphony Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Simon Preston, London Symphony OrchestraWar Requiem, Op. 66 / Requiem aeternam: Ia. Requiem aeternamBenjamin Britten, London Symphony Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Simon Preston, London Symphony OrchestraA Minor08A79 BPM
Lohengrin, WWV 75 / Act III: Prelude to Act III by Richard Wagner, Wiener Philharmoniker, Claudio AbbadoLohengrin, WWV 75 / Act III: Prelude to Act IIIRichard Wagner, Wiener Philharmoniker, Claudio AbbadoD Major110B94 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: III. Allegro, ma non tantoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major210B112 BPM
Pini di Roma, P. 141: I. I pini di Villa Borghese by Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann FallettaPini di Roma, P. 141: I. I pini di Villa BorgheseOttorino Respighi, Buffalo Philharmonic Orchestra, Joann FallettaD♭ Minor112A130 BPM
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester BerlinStrauss, R: Vier letzte Lieder, TrV 196: I. FrühlingRichard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester BerlinA♭ Major24B83 BPM
Psaume 24. La terre appartient a l'Eternel by Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony ChorusPsaume 24. La terre appartient a l'EternelLili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony ChorusE Minor29A83 BPM
Variations on a Theme by Haydn, Op. 56a, Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": AndanteJohannes Brahms, London Philharmonic Orchestra, Marin AlsopF♯ Major32B125 BPM
ISRC
GBAYD0700286
Label
L-M Records/RCA Records

Section: 0.7438273429870605

End: 0.748603343963623