"Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1" by The Tallis Scholars, Peter Phillips was released on September 1, 1980. With Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 46 in Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris Caelestis by The Tallis Scholars, Peter Phillips. Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 by The Tallis Scholars, Peter Phillips is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Aftenstemning (Evening Mood), FS 48 | Carl Nielsen, Orphei Drängar, Robert Sund | D♭ Major | 0 | 3B | 82 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Qui es promesses | Guillaume de Machaut, James Bowman, Charles Brett, Early Music Consort Of London, David Munrow | B♭ Major | 2 | 6B | 131 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 83 BPM |
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