Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick's 'Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie' came out on January 1, 2007. With Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn's "Haydn: Mass No. 2 in F Major, "Missa Brevis" / Mass No. 3 in C Major, "Missa Cellensis"" album is number 1 out of 25. On top of that, Germany appears to be the country where this track was created. The popularity of Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie by Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: I. Introitus & Kyrie | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | F Major | 0 | 7B | 74 BPM | ||
String Quartet in D Major, Hob.III:42, (Op. 33 No. 6): 4. Finale allegretto | Joseph Haydn, The Angeles String Quartet | D Major | 1 | 10B | 126 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Paulus: I. Teil: Nr. 10 Chor "Siehe, wir preisen selig die erdultet haben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 145 BPM | ||
Violin Concerto in C Major, Hob.VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | B Major | 2 | 1B | 137 BPM | ||
Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" | Henry Purcell, Alison Balsom, Balsom Ensemble | A Major | 1 | 11B | 132 BPM | ||
Jephtha, HWV 70, Act III: Waft Her, Angels, Through the Skies | George Frideric Handel, Anthony Rolfe Johnson, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 78 BPM | ||
Dixit Dominus, HWV 232: Virgam virtutis tuae | George Frideric Handel, Angela Kazimierczuk, Richard Wyn Roberts, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM |
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