Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord"
Henry Purcell, Alison Balsom, Balsom Ensemble
Royal Fireworks
1:58 November 8, 2019
BPM
132
Key
A Major
Camelot
11B

Embed

Share Link

Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" - Henry Purcell, Alison Balsom, Balsom Ensemble Information

Acousticness
99%
Danceability
20%
Energy
8%
Instrumentalness
6%
Liveness
14%
Loudness
61%
Speechiness
5%
Valence
4%
Popularity
Loudness
-23.617 dB

Summary

"Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord"" by Henry Purcell, Alison Balsom, Balsom Ensemble had its release date on November 8, 2019. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Royal Fireworks". In this album, this song's track order is #24. Based on our statistics, Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" BPM

With Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" by Henry Purcell, Alison Balsom, Balsom Ensemble having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] by Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien WonnerSonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia]Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien WonnerA♭ Minor31A73 BPM
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave"Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot GardinerF♯ Major12B135 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in D Minor, Op. 9, No. 2: III. AllegroTomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisD Minor37A101 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio by Alessandro Marcello, Venice Baroque OrchestraConcerto Per Oboe, Archi E Continuo In Re Minore: II. AdagioAlessandro Marcello, Venice Baroque OrchestraD♭ Minor012A79 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] by George Frideric Handel, Akademie für Alte Musik BerlinWater Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe]George Frideric Handel, Akademie für Alte Musik BerlinD♭ Major23B132 BPM
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisGrande Messe des Morts: II. Introitus: Requiem aeternam - GraveFrancois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisC Minor15A74 BPM
Dido and Aeneas / Act 1: Dido and Aeneas / Act 1: "Whence could so much virtue spring?"Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher HogwoodB Minor010A170 BPM
Les Indes Galantes - Musette en Rondeau by Jean-Philippe Rameau, Jordi Savall, Le Concert Des NationsLes Indes Galantes - Musette en RondeauJean-Philippe Rameau, Jordi Savall, Le Concert Des NationsF♯ Major22B0 BPM
Menuet in G Minor (trans. W. Kempff) by Wilhelm Kempff, George Frideric Handel, Idil BiretMenuet in G Minor (trans. W. Kempff)Wilhelm Kempff, George Frideric Handel, Idil BiretG Minor06A73 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records