On January 1, 1982, the song "The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave"" was released by Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" by Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata No. 8 sopra La Romanesca | Giovanni Battista Buonamente, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Haste, haste to town this open field" (Belinda, Chorus) | Henry Purcell, Emmanuelle Haïm | D♭ Major | 2 | 3B | 124 BPM | ||
In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM | ||
L'Orfeo, Atto secondo: IV. In un fiorito prato | Claudio Monteverdi, Jordi Savall, Sara Mingardo, Gerd Türk, Iván García, Le Concert Des Nations | D Minor | 1 | 7A | 71 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: XIII. Amen (Soprano, Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard Lesne | E♭ Minor | 3 | 2A | 75 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: 5. Air | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | E Major | 0 | 12B | 106 BPM | ||
Purcell : King Arthur : Act 1 "Come if you dare" [Tenor, Chorus] | William Christie | B♭ Major | 2 | 6B | 173 BPM | ||
Vesperae solennes de Dominica, K. 321: II. Confitebor | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | E Minor | 1 | 9A | 116 BPM | ||
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Mass in B Minor, BWV 232: Benedictus (Tenor) | Johann Sebastian Bach, Nick Pritchard, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 0 | 3A | 111 BPM |