Giovanni Battista Buonamente, London Baroque's 'Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata No. 8 sopra La Romanesca' came out on November 6, 2012. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata No. 8 sopra La Romanesca is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata No. 8 sopra La Romanesca by Giovanni Battista Buonamente, London Baroque having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core" | Biagio Marini, London Baroque | F♯ Minor | 2 | 11A | 61 BPM | ||
Trio Sonata for 2 Oboes and Continuo in A, Op. 5, No. 1, HWV 396: 4. Gavotte (Allegro) | George Frideric Handel, Celia Nicklin, Neil Black, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields | B Minor | 1 | 10A | 78 BPM | ||
Le tombeau de Monsieur de Lully: V. Les Regrets | Jean-Féry Rebel, London Baroque | B Minor | 0 | 10A | 188 BPM | ||
Trio Sonata No. 6 in G Major: I. Andantino | 6th Earl of Kelly, London Baroque | F♯ Major | 2 | 2B | 121 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto | Francesco Antonio Bonporti, London Baroque | E Major | 1 | 12B | 106 BPM | ||
La Superbe: I. — | François Couperin, London Baroque | A♭ Major | 2 | 4B | 101 BPM | ||
Trio Sonata in E Minor, Op. 1, No. 2, RV 67: IV. Gavotta (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | B♭ Minor | 2 | 3A | 110 BPM | ||
Trio Sonata No. 2 in G Major: III. Largo | Thomas Arne, London Baroque | E♭ Minor | 1 | 2A | 56 BPM | ||
Musicalische Ergötzung: Partie VI in B-dur | Johann Pachelbel, Charles Medlam, London Baroque | A Major | 2 | 11B | 117 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 2 | 4B | 76 BPM |
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