"Le tombeau de Monsieur de Lully: V. Les Regrets" by Jean-Féry Rebel, London Baroque was released on April 1, 2005. The duration of Le tombeau de Monsieur de Lully: V. Les Regrets is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Le tombeau de Monsieur de Lully: V. Les Regrets's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #33. The popularity of Le tombeau de Monsieur de Lully: V. Les Regrets is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le tombeau de Monsieur de Lully: V. Les Regrets by Jean-Féry Rebel, London Baroque having a BPM of 188 with a half-time of 94 BPM and a double-time of 376 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Minor: III. Allegro | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | C Minor | 2 | 5A | 140 BPM | ||
Sinfonia No. 6 in G minor (arrangement of oratorio sinfonia San Elena al Calvario): Sant' Elena al Calvario: Introduzione, "Sinfonia No. 6 in G Minor" | Antonio Caldara, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Quartet in G Major: III. Vivace | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
Chamber Sonata No. 2 in C Minor: IV. Vivace - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 2 | 11B | 95 BPM | ||
Les plaisirs champêtres: VI. Bourée | Jean-Féry Rebel, Jordi Savall | D♭ Major | 5 | 3B | 126 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": II. Moderato | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 124 BPM | ||
Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo | Tomaso Albinoni, Ensemble 415, Chiara Banchini | B Major | 7 | 1B | 108 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM |
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