"Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie" by Louis Vierne, Michel Bouvard was released on October 1, 1996. Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. This song is part of Vierne: Messe solennelle pour deux orgues et choeur - Widor: 10ème symphonie "Romane" (Orgue A. Cavaillé-Coll Toulouse) by Michel Bouvard, Ensemble Les Eléments, Joël Suhubiette. The song's track number on the album is #1 out of 13 tracks. Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie by Louis Vierne, Michel Bouvard has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Messe en mi mineur: Messe en mi mineur: Gloria. Allegro | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, La Chapelle Royale, Philippe Herreweghe | C Major | 0 | 8B | 92 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Amicus meus | Tomás Luis de Victoria, Ensemble Corund, Stephen Smith | B Major | 1 | 1B | 57 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 115 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Messe solennelle, Op. 16: I. Kyrie eleison | Louis Vierne, Liverpool Metropolitan Cathedral Choir, Richard Lea, Mervyn Cousins | D♭ Minor | 1 | 12A | 87 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM |
Section: 0.5317773818969727
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