"Missa Tempore Quadragesimae, MH 553: Kyrie" by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi was released on July 15, 2014. With Missa Tempore Quadragesimae, MH 553: Kyrie being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 1 out of 28. On top of that, Hungary appears to be the country where this track was created. Missa Tempore Quadragesimae, MH 553: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Tempore Quadragesimae, MH 553: Kyrie by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Credo: Et resurrexit | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | D Major | 3 | 10B | 145 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Missa Sancti Pauli: No. 17, Credo in unum Deum | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Thomas Dolie, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 2 | 11A | 124 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Requiem in C Minor, MH 155: Va. Sanctus et Benedictus. Sanctus | Michael Haydn, Carolyn Sampson, Peter Harvey, Robert King, The King's Consort, Choir of The King's Consort, Hilary Summers, James Gilchrist | F♯ Major | 1 | 2B | 129 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM |
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