"Dixit Dominus, HWV 232: VIII. Conquassabit capita" by George Frideric Handel, Vox Luminis, Lionel Meunier was released on November 17, 2017. With Dixit Dominus, HWV 232: VIII. Conquassabit capita being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 22 in Dixit Dominus Magnificat by Vox Luminis, Lionel Meunier. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Dixit Dominus, HWV 232: VIII. Conquassabit capita is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dixit Dominus, HWV 232: VIII. Conquassabit capita by George Frideric Handel, Vox Luminis, Lionel Meunier is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): O dolce mio tesoro | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A♭ Minor | 1 | 1A | 70 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: I. Solo "Eternal source of light divine" | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl, Marcus Creed | D♭ Major | 1 | 3B | 85 BPM | ||
Dixit Dominus, HWV 232: Dominus a dextris tuis | George Frideric Handel, Charles Humphries, Gill Ross, Donna Deam, Robert Burt, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM | ||
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 132 BPM | ||
La Giuditta: Part I: Aria: Turbe timide, che fate? (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D♭ Major | 1 | 3B | 86 BPM |
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