"Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo" by Luigi Boccherini, Núria Rial, Orchester Le Phenix was released on September 7, 2018. With Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 15 in Boccherini: Stabat Mater by Luigi Boccherini, Núria Rial, Orchester Le Phenix. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo by Luigi Boccherini, Núria Rial, Orchester Le Phenix is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boccherini: Stabat Mater, G. 532a: IV. Qui est homo | Luigi Boccherini, Claudio Scimone, Cecilia Gasdia, I Solisti Veneti | F Minor | 0 | 4A | 82 BPM | ||
Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 8, Air. "With Verdure Clad" (Gabriel) | Joseph Haydn, Sir Simon Rattle, Arleen Auger, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
In Windsor Forest: No. 2, Drinking Song | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Mass No. 2 in G Major, D. 167: Gloria: Domine Deus | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Dido and Aeneas, Z. 626, Act III: When I am laid | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | F♯ Minor | 2 | 11A | 94 BPM | ||
Dixit Dominus, RV 595: Gloria Patri: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F Minor | 1 | 4A | 134 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Ariette. Augelletti (Florine) | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM |
Section: 1.4086251258850098
End: 1.413404941558838