Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher's 'Missa in D-Dur, KV194: Benedictus' came out on February 23, 2012. The duration of Missa in D-Dur, KV194: Benedictus is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Missa in D-Dur, KV194: Benedictus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "St. Augustin - Mozart: Messe in D / Loretomesse". In this album, this song's track order is #5. In terms of popularity, Missa in D-Dur, KV194: Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa in D-Dur, KV194: Benedictus by Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eilt zu, ruft laut, ihr längst verlangten Boten, TWV 1:415: No. 2, Was macht dein göttlich wahrer Mund | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Die Kölner Akademie, Michael Alexander Willens | F♯ Major | 1 | 2B | 95 BPM | ||
Les Indes galantes, RCT 44, Act III: Bannissons les tristes alarmes | Jean-Philippe Rameau, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | D Minor | 2 | 7A | 131 BPM | ||
Traumprotokolle (2) | Lukas Haselböck, Alexander Kaimbacher | D Major | 0 | 10B | 99 BPM | ||
Krönungsmesse: Agnus Dei | Chor und Orchester von St. Augustin, Ana Puche Rosado, Klemens Sander, Robert Kovács, Robert Rieder, Alexander Kaimbacher, Lorena Espina | C Major | 1 | 8B | 126 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: V. Fecit potentiam | Carl Philipp Emanuel Bach, Geraint Jones, Thomas Hemsley, Geraint Jones Orchestra | E Major | 1 | 12B | 147 BPM | ||
Te deum, LWV 55: XIII. Dignare Domine die isto | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Magnificat, W. E22: Gloria Patri et filio (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Die Juxheirat, Act II: So wär' es wahr (Live) | Franz Lehár, Franz Lehár Orchester, Alexander Kaimbacher, Marius Burkert | C Minor | 0 | 5A | 82 BPM |
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