"Traumprotokolle (2)" by Lukas Haselböck, Alexander Kaimbacher was released on March 29, 2018. The duration of Traumprotokolle (2) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Traumprotokolle (2)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lukas Haselböck, Ursula Langmayr, Agnes Palmisano, Andrea Eckert, Alexander Kaimbacher's "Lukas Haselböck" album is number 12 out of 14. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Traumprotokolle (2) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Traumprotokolle (2) by Lukas Haselböck, Alexander Kaimbacher to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Shadow of Sirius: I. The Nomad Flute | Joel Puckett, Marianne Gedigian, University of Texas Wind Ensemble, Jerry Junkin | A♭ Major | 0 | 4B | 66 BPM | ||
Terry Sneaks In | Bill Conti | D Major | 1 | 10B | 112 BPM | ||
Les Troyens, Op. 29, H 133, Act V: No. 38. "Vallon sonore" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Minor | 0 | 6A | 75 BPM | ||
Trio No. 1 'In Celebration': I. Introduction | Stanley Silverman, Kalichstein-Laredo-Robinson Trio | G Major | 0 | 9B | 66 BPM | ||
Mailblumen blühten überall | Alexander von Zemlinsky, Susan Narucki, Schoenberg Quartet, Jan Erik van Regteren Altena, Taco Kooistra | G Minor | 1 | 6A | 72 BPM | ||
Amazing Grace (Arr. for Treble and Harp) | Traditional, Malakai, Cecily Beer | G Major | 0 | 9B | 82 BPM | ||
Mahler: Symphony No. 2 in C Minor, "Resurrection": IV. "Urlicht" (Sehr feierlich, aber schlicht) | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | D♭ Major | 0 | 3B | 89 BPM | ||
Japanese Rhapsody: I. Nocturne | Akira Ifukube, Tokyo Metropolitan Symphony Orchestra, Ryusuke Numajiri | B Minor | 1 | 10A | 79 BPM | ||
Sånger å de Osjungnas Vägnar: III. De Osjungnas Land: IV | Per Egland, Christian Lindberg, Wermland Opera Orchestra | D Major | 2 | 10B | 80 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: V | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | E Minor | 0 | 9A | 110 BPM |
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