"Krönungsmesse: Agnus Dei" by Chor und Orchester von St. Augustin, Ana Puche Rosado, Klemens Sander, Robert Kovács, Robert Rieder, Alexander Kaimbacher, Lorena Espina was released on February 15, 2012. Krönungsmesse: Agnus Dei is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 13 in the song's album "St. Augustin - Krönungsmesse". In this album, this song's track order is #6. Based on our statistics, Krönungsmesse: Agnus Dei's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Krönungsmesse: Agnus Dei by Chor und Orchester von St. Augustin, Ana Puche Rosado, Klemens Sander, Robert Kovács, Robert Rieder, Alexander Kaimbacher, Lorena Espina having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tilge, Hochster, meine Sunden, BWV 1083: Missetaten, die mich drucken (Soprano, Alto) | Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling | B♭ Major | 2 | 6B | 105 BPM | ||
Die Schöpfung HobXXI/2, PART 2: Vollendet ist das große Werk: Chor | Sir Neville Marriner, Südfunk-Chor, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart | B♭ Major | 3 | 6B | 111 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Theresienmesse: Sanctus | Chor und Orchester von St. Augustin, Norbert Ernst, Juliette Mars, Mara Mastalir, Ottokar Prochazka, Georg Lehner | B♭ Major | 4 | 6B | 151 BPM | ||
Gesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Theresienmesse: Agnus Dei | Chor und Orchester von St. Augustin, Norbert Ernst, Juliette Mars, Mara Mastalir, Georg Lehner, Ottokar Prochazka | G Minor | 3 | 6A | 82 BPM | ||
Missa Paschalis, ZWV 7: Sanctus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Zum Eingang (Deutsche Messe) | Chor und Orchester von St. Augustin, Leopold Spitzer, Marjana Lipovsek, Hans Reinprecht, Rotraud Hansmann | F Major | 0 | 7B | 167 BPM | ||
Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara | Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo | E♭ Major | 2 | 5B | 135 BPM |
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