Chor und Orchester von St. Augustin, Norbert Ernst, Juliette Mars, Mara Mastalir, Ottokar Prochazka, Georg Lehner's 'Theresienmesse: Sanctus' came out on February 14, 2012. With Theresienmesse: Sanctus being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "St. Augistin - Haydn: Theresienmesse". In this album, this song's track order is #8. Based on our statistics, Theresienmesse: Sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Theresienmesse: Sanctus by Chor und Orchester von St. Augustin, Norbert Ernst, Juliette Mars, Mara Mastalir, Ottokar Prochazka, Georg Lehner having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Benedictus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
Sonata in C-Dur, KV. 336 | Chor und Orchester von St. Augustin, Lioba Braun, Noriko Sasaki, Wolfram Koloseus, Hans Reinprecht, Alfred Sramek | C Major | 1 | 8B | 128 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Missa solemnis in D Major, Op. 123: I. Kyrie: Christe eleison. Andante assai ben marcato | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Gloria - Allegro (Di Molto) | Matthews, Munoz, Butterfield, Jeffrey Thomas, Arnold, American Bach Soloists | B♭ Major | 2 | 6B | 83 BPM | ||
Piccolomini-Messe - Gloria in C-Dur, KV. 258 'Missa' | Chor und Orchester von St. Augustin, Wolfram Koloseus, Lioba Braun, Alfred Sramek, Hans Reinprecht, Noriko Sasaki | C Major | 3 | 8B | 101 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Mass in D Major, Op. 86, B. 153: II. Gloria | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 81 BPM |
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