"Zum Eingang (Deutsche Messe)" by Chor und Orchester von St. Augustin, Leopold Spitzer, Marjana Lipovsek, Hans Reinprecht, Rotraud Hansmann was released on August 7, 2006. With Zum Eingang (Deutsche Messe) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Chor und Orchester von St. Augustin's "Messe B-Dur - Deutsche Messe" album is number 7 out of 17. On top of that, Austria appears to be the country where this track was created. The popularity of Zum Eingang (Deutsche Messe) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zum Eingang (Deutsche Messe) by Chor und Orchester von St. Augustin, Leopold Spitzer, Marjana Lipovsek, Hans Reinprecht, Rotraud Hansmann to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70: "Blessed Are the Men Who Fear Him" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 2 | 9B | 124 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: I. Allegro Moderato - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 65 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: III. Largo, e piano | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 4 | 1A | 75 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 3, Im Treibhaus | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Requiem in C Minor: VI. Sanctus et Benedictus | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | A♭ Major | 2 | 4B | 89 BPM | ||
Jubilate Deo | Louis Spohr, Chor und Orchester von St. Augustin | C Major | 4 | 8B | 75 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Annelies (chamber version): III. The plan to go into hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 173 BPM |
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