"Messa di Gloria: XV. Et vitam" by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català was released on April 14, 2023. With Messa di Gloria: XV. Et vitam being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Puccini: Messa di gloria & Orchestral Works". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Messa di Gloria: XV. Et vitam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria: XV. Et vitam by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Requiem in C Minor, MH 155: I. Introitus: Requiem aeternam – Kyrie eleison | Michael Haydn, James Gilchrist, Choir of The King's Consort, Peter Harvey, Robert King, The King's Consort, Carolyn Sampson, Hilary Summers | C Major | 2 | 8B | 81 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Credo | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Credo - Allegro - Adagio - Allegro | American Bach Soloists | B♭ Major | 1 | 6B | 63 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM | ||
Messa di Gloria: VIII. Quoniam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | C Major | 1 | 8B | 125 BPM | ||
Missa Sanctae Ursulae, MH 546: Et resurrexit (Soprano, Contralto, Tenor, Bass, Chorus) | Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | C Major | 2 | 8B | 129 BPM |
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