"Stabat Mater in F Monir P. 77: XII Quando corpus" by Simone Perugini was released on October 31, 2018. With this song being about 5 minutes long, at 4:48, "Stabat Mater in F Monir P. 77: XII Quando corpus" by Simone Perugini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Stabat Mater in F Minor, P.77". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Stabat Mater in F Monir P. 77: XII Quando corpus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater in F Monir P. 77: XII Quando corpus by Simone Perugini having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli Orazi e i Curiazi (Paris premiere version, 1800): Overture | Simone Perugini, Tuscan Opera Academy Orchestra | C Major | 1 | 8B | 113 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Stabat Mater, FP 148: VI. Vidit suum | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | G Major | 1 | 9B | 113 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia" (Aspasia) | Wolfgang Amadeus Mozart, Marc Minkowski, Julie Fuchs, Les Musiciens du Louvre | C Major | 2 | 8B | 128 BPM | ||
La finta giardiniera, K. 196, Act I Scene 2: Viva, viva il buon gusto | Simone Perugini, Tuscan Opera Academy Orchestra, Nicholas Porrington, Isabel Clari | D♭ Major | 1 | 3B | 77 BPM | ||
Symphony in G minor, Op.6, No.6: 1. Allegro | Johann Christian Bach, Netherlands Chamber Orchestra, David Zinman | G Minor | 1 | 6A | 100 BPM | ||
Giannina e Bernardone, Act I Scene 7: Mio caro signor | Domenico Cimarosa, Simone Perugini, Tuscan Opera Academy Orchestra, Laura Valdarnini, Nicholas Porrington | F Major | 2 | 7B | 118 BPM |
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