Wolfgang Amadeus Mozart, Marc Minkowski, Julie Fuchs, Les Musiciens du Louvre's 'Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia" (Aspasia)' came out on October 29, 2021. Since Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia" (Aspasia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Michael Spyres, Sabine Devieilhe, Elsa Dreisig, Marc Minkowski, Les Musiciens du Louvre's "Mozart: Mitridate, rè di Ponto" album is number 4 out of 60. Based on our statistics, Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia" (Aspasia)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia" (Aspasia) by Wolfgang Amadeus Mozart, Marc Minkowski, Julie Fuchs, Les Musiciens du Louvre to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli Orazi e i Curiazi / Act 3: Resta in pace, idolo mio | Domenico Cimarosa, Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte I: Ariette: L'espoir renaît dans mon âme - Live | Christoph Willibald Gluck, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | G Minor | 0 | 6A | 78 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" - Live In London / 1996 | Wolfgang Amadeus Mozart, Renée Fleming, Michele Pertusi, Bryn Terfel, Mario Luperi, London Philharmonic Orchestra, Sir Georg Solti | F Major | 2 | 7B | 82 BPM | ||
Vivaldi : Orlando furioso : Act 3 "Poveri affetti miei" [Angelica] | Antonio Vivaldi, Claudio Scimone, I Solisti Veneti | C Major | 2 | 8B | 143 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Gloria | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 2 | 8B | 122 BPM | ||
Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) | Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 115 BPM | ||
Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | D Major | 0 | 10B | 73 BPM | ||
Sinfonia concertante in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Frank Peter Zimmermann, Antoine Tamestit, Bavarian Radio Symphony Orchestra, Radosław Szulc | C Minor | 0 | 5A | 112 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" | Wolfgang Amadeus Mozart, Diana Damrau, Joyce DiDonato, Mojca Erdmann, Rolando Villazón, Konstantin Wolff, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM | ||
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Caroline Maria Petrig, Christel Borchers, Matthias Hölle, Peter Straka, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | F Major | 1 | 7B | 175 BPM |
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