"Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce)" by Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 1958. With this song being about 5 minutes long, at 5:13, "Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce)" by Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 29 in Cherubini: Medea (1957 - Serafin) - Callas Remastered by Luigi Cherubini, Maria Callas. In terms of popularity, Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) by Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) | Luciano Pavarotti, Renata Scotto | B♭ Major | 3 | 6B | 97 BPM | ||
Don Giovanni, K. 527: Venite pur avanti | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Edda Moser, Kiri Te Kanawa, Kenneth Riegel, Teresa Berganza, Malcolm King, Lorin Maazel | G Major | 2 | 9B | 72 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Riposate, vezzose ragazze" | Wolfgang Amadeus Mozart, Kathleen Battle, Anna Tomowa-Sintow, Agnes Baltsa, Gösta Winbergh, Samuel Ramey, Ferruccio Furlanetto, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 66 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "T'allontana, sciagurato ... Rispettate in me di Dio" (Arturo, Enrico, Chorus, Raimondo) | Gaetano Donizetti, Valiano Natali, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Requiem in C Minor: V. Sanctus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 1 | 4B | 72 BPM | ||
Lucia di Lammermoor, Act III, Scena prima: Oh giusto cielo! - Il dolce suono (Coro/Lucia) - 2004 Digital Remaster | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 92 BPM |
Section: 1.3415849208831787
End: 1.3472034931182861