- BPM
- 72
- Key
- G Major
- Camelot
- 9B
Don Giovanni, K. 527: Venite pur avanti - Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Edda Moser, Kiri Te Kanawa, Kenneth Riegel, Teresa Berganza, Malcolm King, Lorin Maazel Information
- Acousticness
- 98%
- Danceability
- 38%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 48%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 26%
- Popularity
- 11%
- Loudness
- -16.183 dB
Summary
Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Edda Moser, Kiri Te Kanawa, Kenneth Riegel, Teresa Berganza, Malcolm King, Lorin Maazel's 'Don Giovanni, K. 527: Venite pur avanti' came out on 1979. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Lorin Maazel's "Mozart: Don Giovanni, K. 527" album is number 12 out of 71. On top of that, United States appears to be the country where this track was created. Don Giovanni, K. 527: Venite pur avanti is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Don Giovanni, K. 527: Venite pur avanti BPM
We consider the tempo marking of Don Giovanni, K. 527: Venite pur avanti by Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Edda Moser, Kiri Te Kanawa, Kenneth Riegel, Teresa Berganza, Malcolm King, Lorin Maazel to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Don Giovanni, K. 527: Venite pur avanti Key
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | |
 | Nocturne No. 6 in G Minor, Op. 15, No. 3 | Frédéric Chopin, Maria João Pires | F Minor | 1 | 4A | 76 BPM | |
 | Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | C Minor | 0 | 5A | 101 BPM | |
 | Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
- ISRC
- USSM17800705
- Label
- L-M Records/RCA Records
Section: 1.3742222785949707
End: 1.379045009613037