"Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro" by Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich was released on 1991. With this song being about 5 minutes long, at 4:53, "Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro" by Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claire Briggs/Stephen Kovacevich's "Mozart: Horn Concertos Nos. 1-4 . Haydn: Trumpet Concerto" album is number 1 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro by Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Keyboard Sonata in D Major, Op. 5 No. 2, W. A2: I. Allegro di molto | Johann Christian Bach, Rachel Heard | A Major | 3 | 11B | 143 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni | Luigi Boccherini, Quintetto Boccherini | C Major | 1 | 8B | 101 BPM | ||
Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | E♭ Major | 0 | 5B | 109 BPM | ||
Cello Concerto in B-Flat Major, G. 482: I. Allegro moderato | Luigi Boccherini, Yo-Yo Ma, Pinchas Zukerman, Saint Paul Chamber Orchestra | F Major | 1 | 7B | 81 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | D Minor | 2 | 7A | 157 BPM | ||
Lied in A Major, 1830, MWV U76 | Felix Mendelssohn, Howard Shelley | A Major | 0 | 11B | 62 BPM | ||
Keyboard Sonata In B Flat Major, Op. 24, No. 2: II. Andante | Muzio Clementi, Balazs Szokolay | F Major | 1 | 7B | 123 BPM | ||
Sonata for Clarinet and Piano in E-Flat Major, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Richard Stoltzman, Richard Goode | E♭ Major | 0 | 5B | 130 BPM |
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