Max Bruch, Sir Malcolm Sargent, Jascha Heifetz's 'Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato' came out on 1961. Since Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Conciertos Para Violin by Max Bruch, Jascha Heifetz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato by Max Bruch, Sir Malcolm Sargent, Jascha Heifetz is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Legende, Op. 17 | Henryk Wieniawski, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | G Minor | 1 | 6A | 89 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Vocalise Opus 34 No. 14 | Sergei Rachmaninoff, Nicola Benedetti | D♭ Minor | 1 | 12A | 92 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM |
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