"La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)" by Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer was released on January 1, 1999. The duration of La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Sir Neville Marriner, Ivan Marinov, Roberto Paternostro, Ádám Fischer, Klaus Arp, Vassil Stefanov, Emil Tabakov's "Goethe And Music, Vol. 1 - Beethoven, L. Van / Mendelssohn, Felix / Gounod, C.-F. / Berlioz, H. / Massenet, J. / Mahler, G. / Spohr, L. / Boito. A" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) by Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) | London Festival Orchestra Alfred Scholz | E♭ Major | 1 | 5B | 67 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Gavotte | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 129 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Elégie, Op. 24 | Gabriel Fauré, Julian Lloyd Webber, English Chamber Orchestra, Yan Pascal Tortelier | A♭ Major | 0 | 4B | 84 BPM | ||
Divertmento In D Major - Allegro | Essential Band | G Minor | 1 | 6A | 88 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM |
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