- BPM
- 67
- Key
- E♭ Major
- Camelot
- 5B
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) - London Festival Orchestra Alfred Scholz Information
- Acousticness
- 92%
- Danceability
- 8%
- Energy
- 10%
- Instrumentalness
- 73%
- Liveness
- 14%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 13%
- Loudness
- -24.178 dB
Summary
"Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3)" by London Festival Orchestra Alfred Scholz was released on January 1, 2009. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) BPM
The tempo marking of Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) by London Festival Orchestra Alfred Scholz is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | |
 | Symphony, " Reformation " , No. 5 in D-Major, op. 107: IV. Choral: Andante con moto - Allegro vivace - Allegro maestoso | Philharmonic Festival Orchestra, Vladimir Petroschoff | D Major | 2 | 10B | 83 BPM | |
 | Symphony No. 1 in C Major: II. Adagio | Georges Bizet, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 80 BPM | |
 | Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | |
 | Danza de las Silfides-Fausto | Orquesta Sinfónica De Radio Hamburgo | D Major | 1 | 10B | 118 BPM | |
 | Elégie, Op. 24 | Gabriel Fauré, Julian Lloyd Webber, English Chamber Orchestra, Yan Pascal Tortelier | A♭ Major | 0 | 4B | 84 BPM | |
 | Polka Truenos y Relámpagos, Op. 324 | Orquesta De Conciertos Vienesa, Alfred Scholz | G Major | 5 | 9B | 80 BPM | |
 | Vino, mujeres y canciones, Op. 333 | Orquesta De Conciertos Vienesa, Alfred Scholz | B♭ Major | 3 | 6B | 181 BPM | |
 | Elegiac Melodies, Op. 34: II. Last Spring | Stefan Jeschko | G Major | 0 | 9B | 80 BPM | |
 | Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6573848724365234
End: 0.662790060043335