"Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio" by Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra was released on 1950. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Rubinstein: The Liszt Album". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio by Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | E♭ Major | 2 | 5B | 91 BPM | ||
Goyescas - Book 2: 7. El Pelele (Escena Goyesca) | Enrique Granados, Alicia de Larrocha | B♭ Major | 2 | 6B | 88 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Ballade No. 3 in A-Flat Major, Op. 47 | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 1 | 4B | 132 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Saint-Saëns: Mazurka No. 3 in B Minor, Op. 66 | Camille Saint-Saëns, Bertrand Chamayou | A Major | 2 | 11B | 79 BPM |
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