Slovak State Philharmonic Orchestra, Christian Ehwald's 'Ungarischer Tanz in G Minor, WoO, No. 5' came out on May 17, 2013. The duration of Ungarischer Tanz in G Minor, WoO, No. 5 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Ungarischer Tanz in G Minor, WoO, No. 5's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Classic for You: Melodien zum Träumen by Slovak State Philharmonic Orchestra, Christian Ehwald. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Ungarischer Tanz in G Minor, WoO, No. 5's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ungarischer Tanz in G Minor, WoO, No. 5 by Slovak State Philharmonic Orchestra, Christian Ehwald is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, Op. 52 No. 6, D. 839 (Arr. for Violin & Piano) | Franz Schubert, Aaron Rosand, Eileen Flissler | C Major | 1 | 8B | 86 BPM | ||
Swan Lake, Ballet suite, Op.20: Dance of the swans | Belgrad Philharmonic Orchestra, Igor Markevitch | F♯ Major | 0 | 2B | 95 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Kalotaszegi Cigany Csardasok | Kálmán Balogh, Meta Folk Band | C Major | 2 | 8B | 75 BPM | ||
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Kinderszenen, Op. 15, No. 7: Träumerei | Slovak State Philharmonic Orchestra, Christian Ehwald | F Major | 0 | 7B | 75 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
The Flight of the Bumble Bee | Nikolai Rimsky-Korsakov, Emma Johnson, Royal Philharmonic Orchestra, Julian Reynolds | C Minor | 2 | 5A | 172 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM |
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