"Carmen Fantasy, Op. 25: II. Lento assai" by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine was released on January 1, 1993. The duration of Carmen Fantasy, Op. 25: II. Lento assai is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: II. Lento assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Pablo de Sarasate, Wiener Philharmoniker, Henryk Wieniawski, James Levine, Giuseppe Tartini, Maurice Ravel, Jules Massenet, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Carmen Fantasy, Op. 25: II. Lento assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Fantasy, Op. 25: II. Lento assai by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E, Op.22: 3. Scherzo (Vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | F Major | 2 | 7B | 128 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Ellens Gesang III, Op. 52, No.6, D 839: Ave Maria In B Flat Major (Arr. For Violin And Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) | Claude Debussy, Itzhak Perlman | G Major | 0 | 9B | 120 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan | F Minor | 2 | 4A | 173 BPM | ||
Carmen Fantasy, Op. 25: I. Introduction. Allegro Moderato | Pablo de Sarasate, Gil Shaham, Alejandro Posada, Orquesta Sinfónica de Castilla y León | G Major | 1 | 9B | 130 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 143 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | G Major | 0 | 9B | 213 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Hungarian Dance No.12 in D Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Minor | 1 | 7A | 75 BPM |
Section: 0.7731842994689941
End: 0.7770729064941406