"Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo)" by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis was released on March 29, 1993. The duration of Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in Albinoni: Oboe Concertos, Vol. 1 by Tomaso Albinoni, Anthony Camden, John Georgiadis. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
Symphony No.1 in B flat Major: 2. Moderato e dolce | William Boyce, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 88 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Cello Concerto in A Minor, Wq. 170: I. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | A Minor | 2 | 8A | 83 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Horn Concerto No. 1 in D Major, Hob. VIId:3: II. Adagio | Franz Joseph Haydn, Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | A Major | 0 | 11B | 119 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Albinoni: Concerto for Two Oboes in F Major, Op. 9 No. 3: I. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM |
Section: 0.5663237571716309
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