Luigi Boccherini, Quintetto Boccherini's 'String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni' came out on May 1, 2013. The duration of String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 15 in Boccherini: Quintetti per archi by Luigi Boccherini, Quintetto Boccherini. In terms of popularity, String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni by Luigi Boccherini, Quintetto Boccherini is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
Violin Concerto No. 1 in E Major, RV 269 "La primavera": 1. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 105 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Cello Concerto No. 2 In D Major, G. 479: II. Adagio | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | A Major | 0 | 11B | 95 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
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