"Cello Concerto No. 2 In D Major, G. 479: II. Adagio" by Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini was released on December 31, 1998. Since Cello Concerto No. 2 In D Major, G. 479: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 12 in Boccherini: Cello Concertos Vol. 1. Nos 1-4 by Tim Hugh. In terms of popularity, Cello Concerto No. 2 In D Major, G. 479: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto No. 2 In D Major, G. 479: II. Adagio by Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Svyati, 'O Holy One' | John Tavener, Tim Hugh, Choir of St. John's College, Cambridge, Christopher Robinson | E Minor | 0 | 9A | 67 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Bernard Haitink, London Symphony Orchestra, Tim Hugh, Gordan Nikolitch | D Major | 1 | 10B | 109 BPM | ||
Cello Concerto in C Major, Badley C3: I. Tempo giusto | Leopold Hofmann, Tim Hugh, Royal Northern Sinfonia | D Major | 2 | 10B | 137 BPM | ||
Cello Concerto in A Minor, Wq. 170, H. 432: I. Allegro assai | Carl Philipp Emanuel Bach, Tim Hugh, Bournemouth Sinfonietta, Richard Studt | A Minor | 1 | 8A | 80 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Bernard Haitink, Tim Hugh, Gordan Nikolitch, London Symphony Orchestra | A Major | 1 | 11B | 134 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM |
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