"Les Erinnyes - Arr. by Mischa Maisky: Elégie" by Jules Massenet, Mischa Maisky, Pavel Gililov was released on January 1, 1990. The duration of Les Erinnyes - Arr. by Mischa Maisky: Elégie is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Les Erinnyes - Arr. by Mischa Maisky: Elégie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mischa Maisky, Pavel Gililov's "Mischa Maisky - Meditation" album is number 12 out of 18. On top of that, Germany appears to be the country where this track was created. The popularity of Les Erinnyes - Arr. by Mischa Maisky: Elégie is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Erinnyes - Arr. by Mischa Maisky: Elégie by Jules Massenet, Mischa Maisky, Pavel Gililov to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Schwanengesang, D. 957: Am Meer | Franz Schubert, Mischa Maisky, Daria Hovora | C Major | 0 | 8B | 96 BPM | ||
Thaïs / Act 2: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 77 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Die Zauberflöte, K. 620 / Act II: "Ach ich fühl's, es ist entschwunden" (Arr. for Cello and Piano by Mischa Maisky) | Wolfgang Amadeus Mozart, Mischa Maisky, Lily Maisky | B Minor | 2 | 10A | 138 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | ||
Variations Concertantes, Op. 17, MWV Q19: Theme | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | D Major | 1 | 10B | 128 BPM |
Section: 0.7290952205657959
End: 0.7328295707702637