Orfeo ed Euridice: Overtura
Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester
Gluck: Orfeo ed Euridice
2:46 September 28, 2001
BPM
76
Key
G Major
Camelot
9B

Embed

Share Link

Orfeo ed Euridice: Overtura - Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester Information

Acousticness
95%
Danceability
46%
Energy
17%
Instrumentalness
92%
Liveness
11%
Loudness
64%
Speechiness
5%
Valence
25%
Popularity
Loudness
-21.595 dB

Summary

Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester's 'Orfeo ed Euridice: Overtura' came out on September 28, 2001. The duration of Orfeo ed Euridice: Overtura is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Orfeo ed Euridice: Overtura's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 1 out of 33. Orfeo ed Euridice: Overtura is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Orfeo ed Euridice: Overtura BPM

We consider the tempo marking of Orfeo ed Euridice: Overtura by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Orfeo ed Euridice: Overtura Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 1, The Representation of ChaosJoseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry ChristophersD♭ Major13B93 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
Symphony No.5 In B Flat, D.485: 4. Allegro vivace by Franz Schubert, Wiener Philharmoniker, Karl BöhmSymphony No.5 In B Flat, D.485: 4. Allegro vivaceFranz Schubert, Wiener Philharmoniker, Karl BöhmB♭ Major26B150 BPM
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne by Jean-Philippe Rameau, Teodor CurrentzisLes Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: ChaconneJean-Philippe Rameau, Teodor CurrentzisD♭ Major23B114 BPM
Five Pieces For Two Violins and Piano: III. Elegy by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanFive Pieces For Two Violins and Piano: III. ElegyDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanA Major111B92 BPM
Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René JacobsMatthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen niederJohann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René JacobsB Minor310A81 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo ChaillyViolin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo ChaillyC Minor15A103 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonJulius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonE Major012B72 BPM
Part I. Overture in E minor: IV. Loure by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der GoltzPart I. Overture in E minor: IV. LoureGeorg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der GoltzE♭ Minor02A90 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6939809322357178

End: 0.6984822750091553