Johann Christian Bach, Rachel Heard made "Keyboard Sonata in D Major, Op. 5 No. 2, W. A2: I. Allegro di molto" available on August 7, 2015. Keyboard Sonata in D Major, Op. 5 No. 2, W. A2: I. Allegro di molto is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Johann Christian Bach, Rachel Heard's "J.C. Bach: 6 Keyboard Sonatas, Op. 5" album is number 3 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Keyboard Sonata in D Major, Op. 5 No. 2, W. A2: I. Allegro di molto's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Sonata in D Major, Op. 5 No. 2, W. A2: I. Allegro di molto by Johann Christian Bach, Rachel Heard to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Symphony in G Major, Op. 3 No. 3, WolS G3: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 4 | 3B | 147 BPM | ||
Concerto in D Major, RV 90, "Il gardellino": II. Largo | Antonio Vivaldi, Béla Drahos, Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 90 BPM | ||
Violin Concerto in D Major, Op. posth., No. 2: Rondo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 134 BPM | ||
Keyboard Concerto in D Major, Op. 13 No. 2: II. Andante | Johann Christian Bach, Ingrid Haebler, Capella Academica Wien, Eduard Melkus | G Major | 1 | 9B | 118 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concerto grosso in B Minor, Op. 6 No. 12, HWV 330: III. Aria. Larghetto e piano | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | E♭ Major | 1 | 5B | 67 BPM | ||
Requiem: Requiem: 3. Aria (S). Tuba mirum | Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 82 BPM | ||
Keyboard Sonata in E-Flat Major, F. 5: II. Largo | Wilhelm Friedemann Bach, Anthony Spiri | C Minor | 0 | 5A | 113 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM |
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