Maria Callas, Philharmonia Orchestra, Tullio Serafin's 'Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville'' came out on 1997. Since Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maria Callas's "Lyric and Coloratura Arias" album is number 6 out of 9. Based on our statistics, Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville''s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' by Maria Callas, Philharmonia Orchestra, Tullio Serafin to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Waltz | Aram Khachaturian, Efrem Kurtz, Philharmonia Orchestra | C Major | 4 | 8B | 182 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 77 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Rossini: l barbiere di Siviglia, Act 1: "Dunque io son" (Figaro, Rosina) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 1 | 9B | 124 BPM |
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