"Rossini: Il barbiere di Siviglia: Overture" by Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra was released on January 1, 1980. Since Rossini: Il barbiere di Siviglia: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Rossini: Overtures". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Rossini: Il barbiere di Siviglia: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Il barbiere di Siviglia: Overture by Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
Glazunov: Raymonda Suite, Op. 57a: I. (a) Introduction (Moderato) | Alexander Glazunov, Philharmonia Orchestra, Lovro Von Matacic | C Minor | 0 | 5A | 187 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Gianni Schicchi: O Mio Babbino Caro | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | A♭ Major | 2 | 4B | 84 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Murray Perahia | D Major | 0 | 10B | 102 BPM | ||
Don Pasquale, Act II Prima Scena: Povero Ernesto! (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Minor | 0 | 5A | 68 BPM | ||
Xerxes HWV40: Largo: Ombra Mai Fú | English Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 62 BPM |
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