"Xerxes HWV40: Largo: Ombra Mai Fú" by English Chamber Orchestra, Sir Charles Mackerras was released on 2002. The duration of Xerxes HWV40: Largo: Ombra Mai Fú is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Xerxes HWV40: Largo: Ombra Mai Fú's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in English Chamber Orchestra, John Constable's "Georg Friedrich Händel: Music for the Royal Fireworks, The Messiah, Salomon, Water Music, Xerxes (Classical Masterpieces)" album is number 8 out of 11. Xerxes HWV40: Largo: Ombra Mai Fú is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Xerxes HWV40: Largo: Ombra Mai Fú by English Chamber Orchestra, Sir Charles Mackerras to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Flute Concerto No. 2, K.314 in D: Rondeau: Allegro | James Galway, Sir Neville Marriner | D Major | 1 | 10B | 125 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 101 BPM | ||
Returning Home | John Barry, David White, English Chamber Orchestra | F Major | 2 | 7B | 68 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 9. Funeral March | Benjamin Britten, English Chamber Orchestra | F Minor | 1 | 4A | 81 BPM | ||
Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
2 Pieces for Strings from Henry V: No. 1. Passacaglia: Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 1 | 9A | 86 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM |
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