"Serse / Act 1 HWV40: "Ombra mai fu"" by George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras had its release date on January 1, 1997. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras's "Handel: Arias" album is number 15 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Serse / Act 1 HWV40: "Ombra mai fu" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse / Act 1 HWV40: "Ombra mai fu" by George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morning Has Broken | Katherine Jenkins, Bryn Terfel | C Major | 4 | 8B | 115 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Non più andrai" | Wolfgang Amadeus Mozart, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | G Major | 2 | 9B | 134 BPM | ||
An Orkney Wedding, with Sunrise | Peter Maxwell Davies, Scottish Chamber Orchestra, Ben Gernon | D Major | 1 | 10B | 137 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
Wiegenlied | Johannes Brahms, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 69 BPM | ||
An die Musik, D.547 (Op.88/4) | Franz Schubert, Bryn Terfel, Malcolm Martineau | C Major | 0 | 8B | 135 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM |