"An die Musik, D.547 (Op.88/4)" by Franz Schubert, Bryn Terfel, Malcolm Martineau was released on January 1, 1994. The duration of An die Musik, D.547 (Op.88/4) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. An die Musik, D.547 (Op.88/4)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schubert: An die Musik". In this album, this song's track order is #15. Based on our statistics, An die Musik, D.547 (Op.88/4)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An die Musik, D.547 (Op.88/4) by Franz Schubert, Bryn Terfel, Malcolm Martineau having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | ||
An die Musik, Op. 88, No. 4, D. 547 | Franz Schubert, Fritz Wunderlich, Hubert Giesen | C Minor | 2 | 5A | 76 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: Introduction: "As God the Lord of Israel liveth" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Minor | 2 | 6A | 86 BPM | ||
An die ferne Geliebte, Op. 98: No. 2, Wo die Berge so blau | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | E Major | 0 | 12B | 138 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Requiem in D Minor, K. 626: 4. Offertorium: Domine Jesu - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | C Minor | 3 | 5A | 94 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Die Walküre, WWV 86B / Act III: Wotan's Farewell & Magic Fire Music | Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | E Major | 1 | 12B | 83 BPM |
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