"Wesendonck Lieder, WWV 91: Der Engel" by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis was released on July 1, 1976. The duration of Wesendonck Lieder, WWV 91: Der Engel is about 3 minutes long, at 3:25. Based on our data, "Wesendonck Lieder, WWV 91: Der Engel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis. The song's track number on the album is #3 out of 7 tracks. The popularity of Wesendonck Lieder, WWV 91: Der Engel is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wesendonck Lieder, WWV 91: Der Engel by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis has a tempo of 190 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Wesendonck Lieder, WWV 91: Der Engel being at 190 BPM, the half-time would be 95 BPM with a double-time of 380 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | D Minor | 1 | 7A | 97 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | ||
Puccini: La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Der Tod und das Mädchen, D. 531 (Op.7/3) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
Enigma Variations: Variation VII. Troyte - Presto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Major | 3 | 8B | 140 BPM | ||
Dichterliebe, Op.48: 7. Ich grolle nicht | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | C Major | 2 | 8B | 106 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM | ||
Ganymed, D.544 (Op.19/3) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM |
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