Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra's 'Puccini: La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda)' came out on January 4, 1997. The duration of Puccini: La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Puccini: La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Puccini: La Rondine". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United Kingdom. Puccini: La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda) by Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: XXI. In trutina | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 170 BPM | ||
Il barbiere di Siviglia / Act I: "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) | Gioachino Rossini, Teresa Berganza, Enzo Dara, Hermann Prey, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Carmen, Act II, No.18 Finale: Bel officier, l'amour vous joue en ce moment un assez vilain tour! (Carmen/Le Remendado/Le Dancaïro/Bohémiens/Zuniga) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 62 BPM | ||
La Fanciulla del West / Act 1: Jim, perchè piangi? | Giacomo Puccini, Jonathan Summers, John Dobson, Tom McDonnell, Paul Crook, Robin Leggate, William Elvin, Malcolm King, Malcolm Rivers, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | A♭ Major | 0 | 4B | 90 BPM | ||
Puccini: Un bel di, vedremo, Madama Butterfly | Celine Byrne, Giacomo Puccini, RTÉ National Symphony Orchestra, Marco Zambelli | D♭ Major | 1 | 3B | 90 BPM | ||
Tosca / Act 1: "Un tal baccano in chiesa! Bel rispetto!" | Giacomo Puccini, Ingvar Wixell, Piero de Palma, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Major | 2 | 9B | 105 BPM | ||
Romeo and Juliette, Act III: Allons! tu ne me connais pas Tybalt | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Romeo and Juliette, Act V: O ma femme! O ma bien-aimee | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 84 BPM | ||
Suor Angelica: Nel silenzio di quei raccoglimenti | Giacomo Puccini, Christa Ludwig, National Philharmonic Orchestra, Richard Bonynge | D Major | 3 | 10B | 93 BPM | ||
L'elisir d'amore / Act 1: "Esulti pur la barbara" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Major | 2 | 7B | 109 BPM |
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