Carmina Burana: XXI. In trutina - Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox Information

Acousticness: 91%
Danceability: 10%
Energy: 1%
Instrumentalness: 0%
Liveness: 8%
Loudness: 43%
Speechiness: 5%
Valence: 6%
Popularity: 26%
Loudness: -34.258 dB

Summary

"Carmina Burana: XXI. In trutina" by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox was released on January 1, 2005. The duration of Carmina Burana: XXI. In trutina is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Carmina Burana: XXI. In trutina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #21. The popularity of Carmina Burana: XXI. In trutina is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmina Burana: XXI. In trutina BPM

With Carmina Burana: XXI. In trutina by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Carmina Burana: XXI. In trutina Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace	Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt	F Major	2	7B	133 BPM
Dona Nobis Pacem: Agnus Dei	Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill	G Minor	1	6A	85 BPM
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson)	Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra	D♭ Major	1	3B	129 BPM
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt	Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus	E♭ Major	0	5B	98 BPM
The Birth of the Twins and Padmé's Destiny	John Williams, London Symphony Orchestra	E Major	1	12B	65 BPM
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor	Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir	A Major	0	11B	99 BPM
Requiem in D Minor, K. 626: No 1, Introitus and Kyrie - Requiem and Kyrie	Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra, Marie Arnet	D Minor	2	7A	89 BPM
Turandot / Act 2: Gloria, gloria, o vincitore	Giacomo Puccini, Dame Joan Sutherland, Sir Peter Pears, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta	C Major	3	8B	108 BPM
Gloria: 1. Gloria	Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi	B♭ Major	2	6B	130 BPM
Belshazzar's Feast: IX. "The Trumpeters and Pipers"	William Walton, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra	B♭ Major	2	6B	118 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7614314556121826

End: 0.7688066959381104