"The Birth of the Twins and Padmé's Destiny" by John Williams, London Symphony Orchestra was released on May 3, 2005. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Star Wars: Revenge of the Sith (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. The Birth of the Twins and Padmé's Destiny is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Birth of the Twins and Padmé's Destiny by John Williams, London Symphony Orchestra having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Mulan's Decision | Jerry Goldsmith, Disney | B♭ Minor | 3 | 3A | 87 BPM | ||
Frigga | Natalie Holt | C Minor | 3 | 5A | 126 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 20, Romeo's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Minor | 2 | 3A | 139 BPM | ||
Phoenix Rises | John Powell | F♯ Major | 7 | 2B | 131 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM | ||
Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
Amazons Of Themyscira | Rupert Gregson-Williams | E Minor | 2 | 9A | 80 BPM | ||
Night Boarders | Jerry Goldsmith | D♭ Major | 4 | 3B | 132 BPM |
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