Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod - Edward Elgar, London Symphony Orchestra, Sir Adrian Boult Information

Acousticness: 98%
Danceability: 6%
Energy: 15%
Instrumentalness: 82%
Liveness: 11%
Loudness: 70%
Speechiness: 4%
Valence: 4%
Popularity: 52%
Loudness: -18.171 dB

Summary

"Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod" by Edward Elgar, London Symphony Orchestra, Sir Adrian Boult was released on 1986. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 20 in Elgar: Enigma Variations & Pomp & Circumstance Marches Nos 1-5 by Edward Elgar, Sir Adrian Boult. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod BPM

The tempo marking of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod by Edward Elgar, London Symphony Orchestra, Sir Adrian Boult is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso	Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle	B Major	0	1B	85 BPM
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile	Joseph Haydn, Kodály Quartet	G Major	0	9B	106 BPM
Nocturne-serenade, Op. 45	Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo	B♭ Major	0	6B	108 BPM
Holst: The Planets, Op. 32: I. Mars, the Bringer of War (Allegro)	Gustav Holst, André Previn, London Symphony Orchestra	C Major	4	8B	81 BPM
Salute D'Amour	Edward Elgar, Ilmar Lapinsch, Mostar Sinfonie Orchester	E Major	1	12B	128 BPM
Appalachian Spring: VIII. Coda. Moderato	Aaron Copland, London Symphony Orchestra	C Major	0	8B	70 BPM
Requiem in D Minor, Op.48: 7. In paradisum	Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner	D Major	0	10B	175 BPM
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod	Edward Elgar, BBC National Orchestra Of Wales, Andrew Constantine	E♭ Major	1	5B	55 BPM
Orff: Carmina Burana: In Trutina	Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields	D Major	1	10B	70 BPM
Stabat Mater: 3. O quam tristis	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	G Minor	1	6A	80 BPM

ISRC: GBAYC7000097
Label: L-M Records/RCA Records

Section: 0.7543754577636719

End: 0.7583637237548828