"Orff: Carmina Burana: In Trutina" by Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields was released on September 3, 2007. The duration of Orff: Carmina Burana: In Trutina is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Orff: Carmina Burana: In Trutina's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kate Royal, Academy of St. Martin in the Fields's "Kate Royal" album is number 10 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Orff: Carmina Burana: In Trutina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orff: Carmina Burana: In Trutina by Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
4 Lieder, Op. 27, TrV 170: No. 4, Morgen | Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | E Major | 0 | 12B | 154 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | E♭ Major | 0 | 5B | 67 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
2 Elegiac Melodies, Op. 34: No. 2, Varen (Last Spring) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 82 BPM | ||
String Quartet in D - Arr. for string orchestra: 1. Allegro | Gaetano Donizetti, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 2 | 11B | 135 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | ||
Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): III. Ecce gratum (Behold the Spring) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | F Major | 1 | 7B | 135 BPM |
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