"Requiem in D Minor, Op.48: 7. In paradisum" by Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner was released on July 6, 2018. The duration of Requiem in D Minor, Op.48: 7. In paradisum is about 3 minutes long, at 3:19. Based on our data, "Requiem in D Minor, Op.48: 7. In paradisum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 17 in Faure: Requiem; Orchestral Works by Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields. The popularity of Requiem in D Minor, Op.48: 7. In paradisum is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in D Minor, Op.48: 7. In paradisum by Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clair de Lune, L.75 (Arr. For Oboe & Orchestra) | Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | D♭ Major | 2 | 3B | 80 BPM | ||
Don Giovanni, Act Il, Commendatore Scene | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy, John Tomlinson, Richard Stilwell, Willard White | A Major | 3 | 11B | 81 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: II. Largo | Wolfgang Amadeus Mozart, Ivan Moravec, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 94 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
Clear and gentle stream, Op.17, No.4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM |
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