"Clair de Lune, L.75 (Arr. For Oboe & Orchestra)" by Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius was released on December 11, 2020. With this song being about 5 minutes long, at 5:09, "Clair de Lune, L.75 (Arr. For Oboe & Orchestra)" by Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 96 out of 98 in Debussy For The Brain by Claude Debussy. Clair de Lune, L.75 (Arr. For Oboe & Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clair de Lune, L.75 (Arr. For Oboe & Orchestra) by Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Alcina, HWV 34 / Act II: "Verdi prati" (Arr. for Oboe d'amore, Strings and Basso Continuo) | George Frideric Handel, Albrecht Mayer, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | D Minor | 2 | 7A | 176 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | G Minor | 0 | 6A | 170 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, BBC National Orchestra Of Wales, Andrew Constantine | E♭ Major | 1 | 5B | 55 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM | ||
Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | D Major | 1 | 10B | 64 BPM | ||
Concerto for Oboe and Orchestra in One Movement, Op. 45 | Eugene Goossens, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 66 BPM |
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