Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra made "Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave" available on December 25, 2023. The duration of Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Satie: Masterpieces". In this album, this song's track order is #40. Furthermore, we believe that the track originated from United Kingdom. The popularity of Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave by Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Schumann: Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, György Cziffra | A Major | 6 | 11B | 200 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio) | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 3 | 3B | 87 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM |
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